Watcher’s Guide: RETCON EDITION American Horror Story Season One part II
Hello reader,
Welcome back to another addition to my American Horror Story Watcher’s Guide Season one retrospective. On this post I’ll be reviewing episodes 2 to 4.
EPISODE TWO

“I’m hurt and in needing some help.”
Episode info
Season 1 Episode 2 “Home Invasion”
Original airdate: October 12, 2011
Written by Ryan Murphy, Brad Falchuk
Directed by Alfonso Gomez-Rejon
Episode synopsis
While Ben is away on abortive business the Harmon women fall victim to a house invasion plot by a group of serial killer wannabes.
Episode Notes
Character study:
THE HARMONS
In this episode Ben has to deal with the repercussions of his infidelity with Hayden. This whole subplot where he wants to be a good family man and do the right thing is kind of stupid. If he wanted to do the right thing he would’ve just told Vivian the truth, I mean she already knows that he’s cheated on her would it be that much of a surprise that he didn’t use protection. But no instead he lies to his wife and goes to make sure Hayden goes through with her abortion. This show again lays Ben’s dilemma on really thick when his lie makes him out to seem like a genuinely good therapist as clarified by his wife saying “You’re a good person, Ben.”
Ben is not a good person nor is he a good doctor or father.
When we meet Hayden it’s clear he doesn’t know how to deal with her and also she’s out of her mind crazy. This is the evidence that he’s a bad doctor being that he is unable to help her or relate to her. If it’s not the evidence of that then it’s at the very least evidence that he’s an awful human being for taking advantage of this girl’s condition in order to have his way of her. I don’t understand how the writers expect us to root for him.
We also have Vivian and Violet in this episode with their whole intolerable Mother and daughter dynamic. I don’t know what is about them but it just seems like they are both playing off of different things. It’s super annoying. Vivien reacts to Violets disrespect in a way that doesn’t seem genuine to what was said. Like when Violet says “I think you’re weak” it sounds like she’s telling it to a turtle. Then we have Connie Britton react in a sigh. A really weak sigh, as to say well she’s right, I wonder what’s for dinner.
By the end of them surviving the home invasion thing, Violet has a newfound respect for Vivian which is good arch for the two of them.
NOTABLE CAST
Home invaders
Bianca is one of Ben’s patients and she is supposedly inflicted with nightmares about being split in two by an elevator. As it turns out she is one of a trio of psychotic serial killer fanatics who want to recreate murders of notable slashers. She scopes out the place on her psychiatric visit and then uses her know to let in her buddies for some murder mayhem.
These three were kind of stock nut balls with irrational need to recreate the murders exactly. Why? Who knows probably because they’re crazy? That’s probably the answer the writers would give, truth being they didn’t put that much thought into it.
The Nurse ghosts
These characters were pretty interesting in conception. For some reason you don’t really need much motivation in ghost stories like these. They were merely reciprocating vengeance to people willing to recreate the very crime committed against them. That sounds pretty solid to me.
Hayden
I like Kate Mara. I found her to be a memorable actress when she appeared in shows I liked like Jack & Bobby, Everwood and Nip/tuck. She’s a fine actress. They don’t give her a lot to do here. Just be crazy needy. That’s what she is. She’s just a crazy needy chick that doesn’t have any other depth than that.
The Good:
I’m guessing the series will make a habit of having prelude teaser opening where they highlight a past murder. I think that works for what the series is trying to do. The way the flashback teaser weaves into the story in the present is actually really well done. You set up this incident and the victims establish their ghosts in the house and then have a situation that involve serial killer fanatics wanting to recreate those murders and have them fall victim to their own fanaticism. It’s a pretty satisfying comeuppance.
Another thing that was good was that the mythology of the House is actually being developed. We get a sense that the ghosts are the most powerful when they are in the basement. That’s where the twin red headed boys were killed, that’s where Tate tells Violet to lead the home invaders so the ghosts could take care of them. It permits that this universe has its own rules.
The Bad:
I already talked earlier about my annoyance of the mother daughter dynamic of Vivian and Violet, that counts as a bad.
I really thought that Violet becoming friends with her bully was also bad. Like really you were so bullied by this girl that you wanted to scare the crap out of her so she would leave you alone and now you’re talking to her in a skateboarding ring like you’re old pals. Give me a break. If I was that girl and I had seen the devil in Violets basement I wouldn’t talk to her or be around her ever again. Also, doesn’t she have other friends to talk to about her ordeal?
Okay, maybe the incident was so severe the thing the bully girl felt she couldn’t talk to anyone else about it other than someone who was there. But I’m not going to give it that because it’s not on the screen I’m just trying to create some logic where there isn’t any.
Another thing about this bully character that I thought was bad was that they have her smoking now. Why? This is against her previously established characteristics. In the pilot she was against smoking. If it’s to show how traumatized this girl is, well then you didn’t need to have her hair go grey too. I mean okay we get it she’s grey haired, she’s smoking, she’s wearing sunglasses and she sympathizes with her tormentor, great job hammering that little nugget home, writers.
The Ugly:
I’ve got to say I just hate it when plot points just go nowhere. The whole Constance and her daughter subplot really could’ve been excised out the script entirely because it really seems like pointless fluff.
Like why did Constance drug Violets muffin with laxatives? Did she know that the home invaders were coming and planted it for them to eat as it so happened or was that just a coincidence? If Violet was the intended Lax victim then why so? What reason would Constance want to cause Violet ill?
The answer is not in this episode.
Also when Constance daughter sneaks in to the Harmon house and sees the home invaders and goes back to tell Constance are we expected to believe that Constance would’ve helped the Harmons with their situation had she known that it was the case. I don’t know that she would’ve.
Another truly ugly thing about this episode was that closet with the mirrors. What was that all about? What kind of punishment is that and also Constance was trying to get it on with that guy in her room right? so why did she think locking her daughter in a room with mirrors and allowing her to scream bloody murder that doing that would not be a distracting thing while trying to get back to business. I mean come on!
One Button Review
PLAY

My One button review for this episode is PLAY, and I’ll tell you why. This is not a bad episode for what it’s trying to do. It’s a decent ghost story with pretty straightforward narrative. The mythology of the show is present and seems to be developing in a good way. I’m more interested in the series based on this episode than I was with the pilot. The characters are still hollow I’m more optimistic that it can improve.
EPISODE THREE

“I was and continue to be one hell of a shot.”
Episode info
Season 1 Episode 3 “Murder House”
Original airdate: October 19, 2011
Written by Jennifer Salt
Directed by Bradley Buecker
Episode synopsis
After surviving an in house attack Vivian insists that they move away and sell the house but finds that it’s easier said than done.
Episode Notes
Character study:
THE HARMONS
Here we have Vivien willing to do the smart thing and sell the haunted house where she was assaulted by home invaders. She’s taking charge and really making an effort to get out of that house.
Ben has to deal with the return of Hayden who is dead set on making things hard for him. She didn’t go through with the abortion and has decided to keep the baby and keep Ben as the baby daddy as well. Ben is having women problems all around because the maid is also giving him trouble by tempting him. This week’s patient also threatens to kill herself and Ben doesn’t really dwell on that too much being that he has so much on his plate.
The thing with Violet in this episode is that she wants to stay at the house while her mother wants to move out and her dad is just oblivious to her. I still really dislike the dialogue they give Violet because she sounds dumb saying things like
“I love our house… It’s where we kicked some ass.”
Which I think is actually an interesting idea that she feels that to be empowering to be in the house, but for some reason this actress just seems to just fumble the delivery where I don’t take her seriously.
Sorry to say Connie Britton’s tone in her response doesn’t help when she says “I love that you see it that way” like some kind of hippie chick on a mellow. It’s undermining for both characters.
NOTABLE CAST
Constance and Moira
We get a little bit more back story on these two in the opening teaser of this episode. Moira died at a young age which is how she appears to Ben and any male guest, but her ghost has aged (somehow) as the women see her.
Constance had discovered Moira in a compromising way with her husband at the time which in a crime of passion causes her to murder them both. Somehow I don’t blame Constance for murdering those two. I kind of enjoy the way she digs in at Moira and taunts her. Moira is clearly the character the writer wants us to sympathize with and that would be the case if her ghostliness wasn’t so confusing.
I mean why do the male guests see her as she was when she died and why do the women see her as old? The obvious answer is that the writers thought that would be cool. The answer given (as explained by Moira) is that men only see their need for dominance and desires and women see into the soul of a person. That’s a load of malarkey. That is really degrading towards men and women, because it makes it seem like all men have no real free will and are subject to their animalistic needs and also that’s the only way for women to be better than men is that they be more pure. Men and women both have these animalistic needs of dominance and desires; they just have different ways of expressing them. Neither one is more pure than the other.
But you know even though that’s the explanation given, I’m going to try to see past that and interpret it differently because it’s obviously not the case that women guests and men guests see ghosts differently because they all see Tate and the nurse ghosts just fine. I think the better explanation would be that all these ghosts have different faculties that constitute their ghostly afterlife in the house. The nurses appear in their uniforms as they died, Tate appears unassuming in teen adolescence. For some reason Moira has taken upon her ghostly self to take on two visages somehow cursed by her guilt of sleeping with Constance husband. So her answer is true because she wants it to be true.
Hayden
Well I guess we haven’t seen the last of Hayden. She’s come back because Ben left her at the abortion clinic. I mean, wasn’t it the whole point of Ben going over to Hayden to make sure she goes through with it. Well she didn’t go through with it and now she’s back because she wants him to play father and support her baby and take care of her. Well now he has to kill her and bury her under a freshly made Gazebo.
The Good:
I really dig Vivian taking charge and wanting to get out of the house and really sticking it to the realtor, although I think she may have been too harsh on her, but nevertheless I like her attitude and resolute.
I like the Moira and Constance storyline more now that they’ve brought out the depth of their relationship. How Constance taunts her all the time and even after her bones are found only to get reburied along with Hayden’s is great. I’m actually am finally getting Moira a little more now that her motives has been revealed that she was trying to get Ben to discover her bones so that she won’t be trapped in the house anymore. Also it brings up more questions too; I might have to get back to that later.
The mythology of the house is building with the back story of the Murder house on that bus tour which was very serviceable. This is clearly the creepy camp they were going for with this series.
The Bad:
I still don’t like Violet a whole lot. I thought it was cool her saying that surviving the home invasion was a source of empowerment rather than an excuse for feeling victimized. I liked that she said it not the way it came out. It still seemed like she was just saying it to say it, and the only real reason she doesn’t want to leave the house is because she’s hanging out with a cute boy and she doesn’t want that to end. It’s not really bad writing that I’m reeling against here because that’s actually interesting stuff, what I don’t like is that’s it’s undermining the empowerment stuff with this shallow motive. Why can’t Violet see that her Mom is doing the smart thing in wanting to leave the house? Is it because she’s a hormonal teen?
The Ugly:
I guess now is a good time as any to get into my distaste for the therapy sessions. Really it could’ve been cool and I get it the purpose for them is to create more shock horror with no consequences. But really they go nowhere and that I find awfully annoying.
I mean, episode 2 at least used that angle to be part of the narrative of the home invasion sure, but there wasn’t much depth in even that. I mean the girl had nightmares about being cut in half and that was obviously a fib for her to stake the house but did she eventually get cut in half in the episode? If so they didn’t play off the irony at all. It makes these sessions even more pointless.
The sessions with Tate seem like they’re going somewhere sometimes but don’t really. I mean, they have a session where Tate is clearly trying to instigate a reaction out of Ben and Ben is unmoved and it’s suppose to give off this sense of professionalism but it just seems like Ben has no sense of awareness and I blame this on the directing and Dylan McDermott’s performance. These unilateral shots between patient and doctor creates disconnect between them and more so with the constant obtrusive zooming in and speed cut edits.
The session in this episode is also as needless and disjointed. We have the woman who feels she is boring and is pushed to the brink of suicide. Ben doesn’t seem to care about the resolution of this patient at all. I think the writers as well because they introduce a character investigating the whereabouts of the patient because she had gone missing after her session with Ben, and through exposition the detective shows no real sympathy for the missing woman because everyone says she’s boring. Then later on after her suicide attempt the same detective returns to investigate Ben’s part in the woman’s condition to find that Ben was inactive and unsympathetic and now the detective is disgusted with him. What is this sequence trying to say? That some people see other people as worthless unless they have something interesting to offer and that extreme situations invoke sympathy even where there wasn’t any before. So what!?
I was really interested in the potential for interesting stories that could’ve been told through this psychiatric session’s conceit, but what they have given us has been awful. I really thought that there could’ve have been really cool anthology type stories could’ve been told in this format, but so far I’m not seeing it.
One Button Review
FAST FORWARD

I have to give this episode a FF as my one button review because, and I admit that this episode isn’t as bad as the pilot, but it’s a long way from being as good as the second. There are some interesting answers in this episode that I can say I didn’t really get upon my first viewing, I don’t know why I just didn’t pick up that Ben was being compelled to dig a grave because he was under Moira’s spell to help her leave. That was very good, but then there is the rest of the episode that is really mucky and I just want to skip over a lot of it. But that may just be me.
EPISODE FOUR

“It’s okay actually, kind of scary sexy.”
Episode info
Season 1 Episode 4 “Halloween (Part 1)”
Original airdate: October 26, 2011
Written by James Wong
Directed by David Semel
Episode synopsis
On Halloween night Vivian unknowingly enlists the aid of ghost home “buffers” to raise interest in the house for potential buyers.
Episode Notes
Character study:
THE HARMONS
In this episode we have Vivian confront Ben about talking to Hayden and Ben confessing to her some of the truth. I don’t understand why he doesn’t tell her the complete truth; well maybe because it’s insane to admit that he was helped in murdering and hiding his mistress’s corpse under a gazebo. Well okay then show, you got me there. Now Vivien tells Ben to leave which makes sense and even more so since she seems to have other prospects in Luke the security guard. I like Luke as character, I think they do a good job at making him likable and that’s not hard to do really when comparing him with Ben, right?
Violet is hanging out with Tate more and I don’t know, I would think that if Ben was any kind of “good” father he would be more involved in what his daughter is doing and see that she’s hanging out with one of his more disturbed patients is really something that’s to be kept an eye on. So Violet learns that there is something living in the basement and hangs out with Tate a whole lot. Boring! This is like the part of the storyline I don’t think any of the writers really want to tell because they just breeze by these points like they don’t matter and I feel like I don’t have to care.
NOTABLE CAST
Chad and Patrick
These are the former homeowners that restored the house in order to flip it for more money or something. They establish that basically they’re relationship was on the rocks and that Zachary Quinto’s character Chad was basically forcing Patrick to stay with him despite his adultery. Did I forget to mention they are homosexuals? I probably forgot to because it’s so abundantly clear that they are when you see them on screen. It really is ridiculous.
I remember when I first saw this that Zachary Quinto had recently outed himself as a homosexual right before the airing of this episode and I thought good thing to because if he hadn’t he would’ve been accused of awfully reinforcing terrible homosexual stereotypes and probably been sacked by the gay community. I really felt his performance was so over the top it was insulting really.
Larry
Oh god Larry, how have I gone on this long without talking about Larry? He’s been here since the pilot. I probably neglected to mention him because I hate Larry. He’s an annoying and his presence really diminishes the show more than I would care to. He’s here most likely for comic relief but I don’t find him funny. I mean in this episode he’s standing in front of the Harmon’s residence with a children’s pumpkin shaped treat container and demanding money for murdering Hayden for Ben. I mean this character is not threatening and everything we learn about him is lame. He wants the money so he can start his play acting career he was imprisoned but let out due to him having cancer or something. I mean who can take this guy seriously.
The Good:
I like Vivian a little more here, I like what Connie Britton is doing but I tell you it surely doesn’t go with what everyone else is doing so I don’t know. I like her and the introduction of Luke, they have a good dynamic and I prefer the story to follow him. I find it weird though that I like Luke because I’m supposed to be rooting for Ben and the family unit right? I find it very hard to do that though.
The ending with Hayden was expected but good nevertheless. Sometimes I find when a show does something that is expected it can be good thing.
The Bad:
Tate and Violet’s storyline is boring and Larry’s situation is just weird. I can’t say I liked this episode very much or can say too much on what I thought was bad really, which I consider that to be a bad thing.
The Ugly:
Just everything about the gay couple was offensive and over the top in an unbearable way. I mean we have Zachary Quinto say something really abrasive and accusatory towards Patrick then dismiss it with something stupid errand he wants him to do not one once, not twice but thrice! I just thought it was barely funny the first time, but this is a show that is going to run things they like into the ground, they are going to glare shocking humor and imagery for kicks. But I for some reason did not find it fun.
One Button Review
SKIP

I’m going to have to go ahead and say SKIP for this one button review. There was just too little substance in this episode that I found worthy of watching. There wasn’t anything interesting really going on and what the writer considered to be fun was dumb to me. I would say just skip this episode and watch the next part believe me you’re not missing anything.

Alright, that concludes this section of my season one review of American Horror Story. Thanks for checking in.
Stay tuned.





































